This accordance has been haunting me since we were kids. They used to play it over the Gallery on the old BBC TV show Vision On. It's a controllable piece of vibraphone and guitar, it lopes along at a gentle reckon and doesn't really go anywhere, but I love it!

It's called 'Leftbank 2' by the Spear Gambit Trio.

They used 'Cavatina' by John Williams later in the series, but the one you have described is 'Leftbank 2'.

You can listen to it here:
http://www.hazzamon.co.uk/roger.

Trish D | Jun 10, 2007

Bays_Design Digital Tuning Gallery

My Digital Tuning Gallery with Photoshop CS3 Music by: Makoto - After The Pour - Lexus GS300 US-Spec - Chevy Cruze - Nissan 370z - Nissan RPS13 ...

Mercedes Benz G55 Hamann Tuning Gallery Azerbaijan Baku

By reason of you AUTO.AZ

Opel Corsa A Nice Tuning Wild R17" 1º to 2upgrade

Extend out of a Corsa A Tuning gallery... Thank´s to ALL for watching....

Will the show off be a comprehensive collection of the work you've done for Minus and Plus 8? Will any other profession be included?

The exhibition is the most comprehensive overview of my collaborative work with Minus and Plus 8 to stage. It brings together work from 1993 to the present, including paintings, prints, drawings and fashion. It is a very unique exhibition since many of pieces have never been seen before in the UK or in a gallery setting, yet most are known through their associated music set. I've included two pieces from my newest series, the Torqued Panels, in order to give a all right overview of my work and to show my aesthetic trajectory over the years. Interestingly, since then, we have undisputed to use the drawings as artwork for future Plus 8 releases, an example of how my visual labour sometimes "fits" with the music and aesthetic concerns of the labels.

When you make protection art for a record, how does the process work? Do you always hear the music first? How does it act upon your imagery?

Source: Resident Advisor